Fleshy Face with Chestnut Hair, Dubuffet, 1951 |
The style is very crude and almost childlike with very little detail and an obviously unrealistic distorted form. Dubuffet actually generated a new artistic movement, which he called Art Brut (or Raw Art), that was inspired by the rough, unconventional artworks done by prisoners, mental patients, children, and other untrained artists. He gathered a large collection of those pieces and tried to imitate the techniques in his own works.
Door with Couch Grass, Dubuffet, 1957 |
Portrait of Soldier Lucien Geominne defies the tradition of portraying soldiers heroically that stemmed from the Greek Classical period. Instead of romanticizing and glorifying, Dubuffet depicted the solider through a more grotesque, negative lens that conveyed the ugliness of war. The viewer does not know whether the soldier in the painting is dead or alive, but it captures the raw unglorified essence of war and the death and destruction that is caused by it.
- "Art Brut." Collection Online. Solomon R. Guggenheim Foundation. Web. 25 Nov. 2014. http://www.guggenheim.org/new-york/collections/collection-online/movements/195204>.
- "Jean Dubuffet." Peggy Guggenheim Collection. Guggenheim Museum. Web. 25 Nov. 2014. http://www.guggenheim-venice.it/inglese/collections/artisti/dettagli/opere_dett.php?id_art=54&id_opera=634.
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"Jean Dubuffet: Portrait of Soldier Lucien Geominne." Collection Online. Guggenheim. Web. 25 Nov. 2014. http://www.guggenheim.org/new-york/collections/collection-online/artwork/14026.
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